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Proving once again that the shittest of places can often be a crucible for the dirtiest of music, Battalions bring you their own brand of filth from Kingston upon Hull.

Doing their stuff since 2010 - that stuff probably being best described as party sludge - Battalions have carved out a space in the scene that only they could fill, and one that they could fill with the bounciest hooks imaginable wherever it is you put them.

Six years in, Battalions were ready to burst with their peppy grimness, sparking a three year streak of consecutive releases. 2016’s Nothing to Lose and the following year’s Moonburn introduced the wider scene to an apoplectic, yet somehow upbeat, sound all of their own; storming out of the gate ready to fuck up the world, all the while with a spring in their step.

Between Moonburn and their next album, Battalions settled into the four-piece lineup we know today. Late 2018 saw Battalions release the chunkiest album of the year in Forever Marching Backwards [APF016], which, like previous releases, was recorded at SkyHammer Studios. It’s a metal album. It’s also an album that is brimming with pure groove. But, you couldn’t call it groove metal. Again, it’s out and out party sludge; something that Battalions do better than anybody on this planet or the next. From Phil Wilkinson’s growls into the mic, to the flanking attacks of Matt Dennett on bass and Peter Cross on guitar, there’s an energy to Battalions that makes them seem unstoppable, and aside from catching them live, Forever Marching Backwards is a perfect encapsulation of that energy.

Battalions returned with their new album ‘King of a Dead World’ on 21st October 2022: 8 tracks of colossal, towering, hook filled riffs, born out of a crumbling world. Anywhere Battalions show, a party comes with them. So make sure you’re marching backwards with Battalions any chance you get.